The steps in the workflow are right at the top of the interface: Basic Correction, Color Matching, Final Grade. But Cinema Grade has a specific workflow that, when used, is very powerful and efficient. You’ll love it just for adjusting the hues of objects in your shots. You can use Cinema Grade however you want, obviously.

The interface cleverly hides tools so that the image is the biggest thing in the interface, as it should be. There’s so much more to Cinema Grade than meets the eye, and we mean that literally. Does this make Cinema Grade any less of a professional tool? Absolutely not! Anyone doing color grading can benefit from Cinema Grade.Īt the end of the day, regardless of user skill level, once you “buy in” to Cinema Grade’s approach to color grading, it’s blazing fast! Especially for making isolated hue adjustments.īut let’s not get ahead of ourselves just yet. It’s the color grading software of tomorrowĬinema Grade is targeting individuals-filmmakers and video creators-as opposed to the professional editing and color grading market. In fact Cinema Grade claims professional results without the “pain and frustration” of traditional color grading tools. Release notes were unavailable when this listing was updated.Cinema Grade identifies itself as a “modern color grading software for the independent filmmaker.” Two things you can glean from this marketing statement:Ĭinema Grade is going to look and feel more progressive than the color tools you’re used to.

If you only need to do basic grading and don’t require more complex features like tracking then it may well suit your needs. Colour Finale do plan to introduce features such as masks and tracking in a forthcoming ‘Pro’ version. While Color Finale looks to offer a lot of great features it certainly isn’t a DaVinci Resolve substitute.

This is far easier for doing colour adjustments than having to use the strange colour adjustments in FCPX.Īs much as it sounds lazy, I prefer to grade within FCPX and not have to go back and forth between programs. Color Finale offers a lot more adjustment and allows you to use industry standard colour wheels. This is all great, but what you can do within FCPX itself is a little limiting. I am still very much a novice when it comes to using programs like DaVinci Resolve and for the sort of work I normally do I prefer to do basic colour correction within FCPX. Features include the ability to adjust curves, use colour wheels, apply LUTs, and use vectors. Color Finale is a new plug in for Final Cut Pro X that allows you to colour grade within FCPX itself.

Color finale tutorial